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The wire and the world: narrative and metanarrative

Sheehan, Helena and Sweeney, Sheamus (2009) The wire and the world: narrative and metanarrative. Jump Cut, 51 (Spring 2009). ISSN 0146-5546

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Abstract

Rarely, if ever, has a television drama constructed a narrative with such a strong thrust to metanarrative. Its intricate and interwoven storylines dramatise the dialectical interaction of individual aspirations and institutional dynamics. These build into a story of a city, not only the story of Baltimore in its particularity, but with a metaphoric drive toward the story of Everycity. Every character and storyline pulses with symbolic resonance radiating out to a characterisation of the nature of contemporary capitalism. While the text itself does not name the system, the metatext does so with extraordinary clarity and force. David Simon, the primary voice of this collective creation, has engaged in a powerfully polemical discourse articulating the world view underlying the drama. This paper will explore that world view. It will examine how specific plots open into an analysis of the social-political-economic system shaping it all. It will moreover argue that The Wire has demonstrated the potential of television narrative to dramatise the nature of the social order, a potential that has long been neglected or inadequately pursued in the history of television drama. In probing the parameters of the intricate interactions between individuals and institutions, The Wire excavates underlying structures of power and stimulates engagement with overarching ideas.It bristles, even boils over, with systemic critique. While it offers no expectation of an alternative, it provokes reflection on the need for one and an aspiration towards one. Indeed some commentators have raised the question of whether The Wire is a marxist television drama. While David Simon has explicitly stated that he is not a marxist, the question remains. What would a marxist television drama look like? It would look very much like The Wire, this paper contends.

Item Type:Article (Published)
Refereed:Yes
Uncontrolled Keywords:television drama; ideology; David Simon;
Subjects:Social Sciences > Mass media
DCU Faculties and Centres:DCU Faculties and Schools > Faculty of Humanities and Social Science > School of Communications
Official URL:http://www.ejumpcut.org/currentissue/index.html
Use License:This item is licensed under a Creative Commons Attribution-NonCommercial-Share Alike 3.0 License. View License
ID Code:2459
Deposited On:08 Apr 2009 15:09 by Helena Sheehan. Last Modified 04 Aug 2009 12:00

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