Irish contemporary art music is an often-overlooked aspect of the musical traditions of Ireland. In 1995 composer Raymond Deane (1953-) coined the term 'the honor of non-existence' to describe the condition of contemporary composers in Ireland.(1) it is telling still that in considerations Of Irish culture, such as in the interdisciplinary field of Irish studies, the emphasis has to a large extent been on one of our three main music traditions.(2) The term Irish Music for many signifies traditional music, the fold music of the people. Sometimes it is used to refer to our popular tradition, particularly rock music, but rarely will it bring to mind the current art music tradition. Perhaps this is as it should be; there will always be a smaller and specialized interest in classical music. However, that this is one of our traditions should not be forgotten. An understanding of this tradition informs an understanding of ourselves and the place of music in the Irish imaginative exploration of ideas. The role of musicology illuminating these ideas and developing wider understanding and knowledge of this music is clear; as is the role of music institutions in making this music generally known and promoting access to this part of our cultural heritage. This essay outlines a project in which both academic and cultural institutions worked in partnership to create a digital archive of Irish contemporary art music, ensuring thus primary sources for future music research, performance and wider promotion.