Maritz, Margot (2022) Eco-Easter eggs: production design and climate change. Master of Arts thesis, Dublin City University.
Abstract
This thesis uses concepts of climate change, sustainability, environmental
ethics, zoomorphism and cognitive theory to ascertain whether it is
possible to produce new forms of environmental awareness, evoke
eco-conscious debate, inspire biocentric mindsets and provoke climate
change innovation through fantasy films’ production design alterations,
additions and enhancement.
The study will explore potential new modes of eco-cinema by firstly
discussing the fundamentals of climate change, along with the negative
impact of the Anthropocene, and whether a biocentric transformation
might positively speak to the climate crisis. These concepts will then be
applied to various aspects of sustainability within film production workflow
patterns. Secondly, a discussion on eco-cinema and the potential for
subtextual and even explicit environmental awareness being embedded
within a film, as inspirations for audiences’ eco-conscious change. These
discussions will specifically be applied to the production design of film.
Interpreting whether specific design elements of film, such as the design
contrast highlighted in Lord of the Rings, recycling within Harry Potter and
upcycling seashells in Pirates of the Caribbean, could constitute a new
form of eco-cinema analysis, in communicating environmental awareness,
eco-conscious perspectives and biocentric lifestyles. The thesis attempts
to analyse the broad-ranging opinions of 57 global film industry members
to help support a range of conclusions regarding sustainable production
design and facing up to climate change.
In summary, the thesis will initially investigate how the film industry and
filmmaking help contribute to and mitigate climate change and in
particular, explore how production design can assist in provoking effective
media content which foregrounds climate change debate and innovation.
The research seeks to actively address film workflows and filmmakers'
mindsets as they take on the challenge of using the power of film to help
change audience behaviour and play its part in helping to save our planet.
Metadata
Item Type: | Thesis (Master of Arts) |
---|---|
Date of Award: | November 2022 |
Refereed: | No |
Supervisor(s): | Brereton, Pat |
Subjects: | UNSPECIFIED |
DCU Faculties and Centres: | DCU Faculties and Schools > Faculty of Humanities and Social Science > School of Communications |
ID Code: | 27609 |
Deposited On: | 11 Nov 2022 09:31 by Patrick Brereton . Last Modified 11 Nov 2022 09:31 |
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