Rana, Aashima (2024) Towards a folkloric commonality: adapting lores of Assam and the American South. PhD thesis, Dublin City University.

Henry, Seán ORCID: 0000-0002-8365-6632, Bryan, Audrey ORCID: 0000-0002-0888-9276 and Neary, Aoife ORCID: 0000-0003-1196-6487 (2023) Up Schitt’s Creek? Comedy as a slantwise pedagogical encounter with queerness. Teachers College Record, 125 (10). ISSN 0161-4681

Doyle, Phillip ORCID: 0000-0002-1564-6686 (2023) The grammar of immersion: a social semiotic study of nonfiction cinematic virtual reality. PhD thesis, Dublin City University.

Alardawi, Merfat ORCID: 0000-0003-3787-7327 (2023) The impact of watching Turkish drama on Saudi women's attitudes and perception patterns: an audience study. PhD thesis, Dublin City University.

Bollas, Angelos ORCID: 0000-0002-2594-8215 (2022) Queering narratives of HIV/AIDS suffering: cultural representations at the dawn of the 2020s. PhD thesis, Dublin City University.

Buitendijk, Tomas (2021) Whales and windfarms: towards a poetics of the sea in the twenty-first century. PhD thesis, Dublin City University.

Moran, John (2020) Sex in the multiplex: a qualitative and quantitative analysis of sex in the 250 most popular films on domestic release, 2011-2015. PhD thesis, Dublin City University.

O'Brien, Maria (2020) A political economy of tax expenditures for the audiovisual industries in Ireland: a cultural policy research perspective on section 481. PhD thesis, Dublin City University.

Monaghan, Michael (2020) On murder reconsidered as one of the fine arts: dismantling the binary of gendered gazes in literary and filmic representations of violence. PhD thesis, Dublin City University.

O'Driscoll, Aileen ORCID: 0000-0001-7110-1149, Healion, Karla, O'Meara, Jennifer and Stone, Katie (2020) Activism through Celebration: The role of the Dublin Feminist Film Festival in supporting women in Irish film, 2014–17. In: Women in the Irish Film Industry: Stories and storytellers. Cork University Press, pp. 153-168. ISBN 9781782053767

O'Boyle, Neil ORCID: 0000-0002-3865-2579 (2020) Place, Peripherality, and Play: Reflections on Film Tourism in Ireland. Journal of Popular Culture, 52 (6). pp. 1355-1371. ISSN 1540-5931

Brereton, Pat ORCID: 0000-0003-1681-7202 (2019) Filming imagined and real catastrophe: environmental trauma and natural disasters. Journal of Science and Popular Culture, 2 (2). pp. 157-170. ISSN 2059-9072

Murphy, Paula ORCID: 0000-0002-9715-2216 (2019) The Taste of a Name. Short Film Studies, 10 (1). pp. 83-86. ISSN 2042-7824

Murphy, Paula ORCID: 0000-0002-9715-2216 (2019) Through the Looking Glass: Bodies of Data in Alex Garland's Ex Machina. Film International, 17 (3). pp. 79-85. ISSN 2040-3801

Murphy, Paula (2018) "You feel real to me, Samantha": the matter of technology in Spike Jonze's Her. Technoculture: An Online Journal of Technology in Society, 7 . ISSN ISSN 1938-0526

Kenny, Colm (2017) Venture in/between ethics, education and literary media: making cases for dialogic communities of ethical enquiry. PhD thesis, Dublin City University.

Murphy, Denis (2017) A labour history of Irish film and television drama production 1958 - 2016. PhD thesis, Dublin City University.

Wallace, Mark (2016) The unspeakable Victorian: Thomas Carlyle, ideology and adaptation. PhD thesis, Dublin City University.

Lewis, Ingrid (2015) The representation of women in European holocaust films: perpetrators, victims and resisters. PhD thesis, Dublin City University.

Culloty, Eileen ORCID: 0000-0001-7960-8462 (2014) Embedded online: Iraq war documentaries in the online public sphere. PhD thesis, Dublin City University.

Canning, Laura (2014) Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005. PhD thesis, Dublin City University.

Fahy, Declan ORCID: 0000-0003-2216-4252 (2013) The chemist as anti-hero: Walter White and Sherlock Holmes as case studies. In: Nelson, Donna J., Grazier, Kevin R., Paglia, Jaime and Perkowitz, Sidney, (eds.) Hollywood Chemistry: When Science Met Entertainment. ACS Symposium Series . The American Chemical Society, Washington, D.C, pp. 175-188. ISBN 978-0841228245

Cooke, Dervila (2013) Tradition, Modernity, and the Enmeshing of Home and Away: The Shipping News and Proulx’s 1990s Newfoundland. Studies in Canadian Literature, 38 (1). pp. 190-209. ISSN 0380-6995

Cooke, Dervila (2012) Le "climat Modiano" dans Des gens qui passent : Entretien avec Alain Nahum. French Cultural Studies, 23 (4). pp. 304-308. ISSN 1740-2352

Furze, Robert (2011) The visceral screen: Between the cinemas of John Cassavetes and David Cronenberg, a Barthesian perspective. PhD thesis, Dublin City University.

Mohamad Ali, Nazlena and Smeaton, Alan F. ORCID: 0000-0003-1028-8389 (2011) Exploring the usage of a video application tool: Experiences in film studies. Journal of Informatics in Education, 10 (2). pp. 163-181. ISSN 1648-5831

Duffy, Brian (2010) Cosmopolitanism and patriotism in Richard Ford’s ‘Occidentals’. In: O'Donovan, Patrick and Rascaroli, Laura, (eds.) The cause of cosmopolitanism. Cultural Identity Studies, 21 . Peter Lang, Oxford, UK, pp. 71-88. ISBN 978-3-0343-0139-8

Mohamad Ali, Nazlena and Smeaton, Alan F. ORCID: 0000-0003-1028-8389 (2009) Are visual informatics actually useful in practice: a study in a film studies context. In: IVIC 2009 - The 1st International Visual Informatics Conference, 11-13 Nov 2009, Kuala Lumpar, Malaysia. ISBN 978-3-642-05035-0

Mohamad Ali, Nazlena (2009) Design, deployment and assessment of a movie archive system in a film studies context. PhD thesis, Dublin City University.

Uwah, Innocent Ebere (2009) From rituals to films: a case study of the visual rhetoric of Igbo culture in Nolywood films. PhD thesis, Dublin City University.

O'Connor, Barbara (2009) Colleens and comely maidens: representing and performing Irish femininity in the nineteenth and twentieth centuries. In: Flannery, Eóin and Griffin, Michael, (eds.) Ireland in focus: film, photography, and popular culture. Syracuse University Press. ISBN 978-0-8156-3203-0

Ging, Debbie (2008) Goldfish memories? On seeing and hearing marginalised identities in contemporary Irish cinema. In: Faragó, Borbála and Sullivan, Moynagh, (eds.) Facing the other: interdisciplinary studies on race, gender and social justice in Ireland. Cambridge Scholars Publishing, pp. 182-203. ISBN 9781847185976

Rothwell, Sandra (2007) Detection and analysis of emotional highlights in film. PhD thesis, Dublin City University.

Brereton, Pat ORCID: 0000-0003-1681-7202 (2006) Nature tourism and Irish film. Irish Studies Review, 14 (4). pp. 407-420. ISSN 1469-9303

O'Connell, Díóg (2005) Narrative strategies in contemporary Irish cinema: 1993-2003. PhD thesis, Dublin City University.

Ryan, Orla G. (2005) Overlapping montage: a comparative study of mainstream film and moving-image installations. PhD thesis, Dublin City University.

Fennell, Nicholas (2005) The alternative within the mainstream: a critical analysis of some recent Irish films. Master of Arts thesis, Dublin City University.

Ging, Debbie (2004) The politics of sound and image: Eisenstein, artifice and acoustic montage in contemporary feminist cinema. In: Antoine-Dunne, Jean and Quigley, Paula, (eds.) The montage principle: Eisenstein in new cultural and critical contexts. Rodopi, pp. 67-95. ISBN 978-90-420-0898-4

Connolly, Maeve (2003) An archaeology of Irish cinema: Ireland's subaltern, migrant and feminist film cultures (1973-87). PhD thesis, Dublin City University.

Condon, Denis (2000) Consensus, withdrawal, opposition: images of youth and generational conflictin feature films of the GDR. Master of Arts thesis, Dublin City University.

Dalton, Joanne (1998) Terminology standardisation: success or failure?: a study of the terminology of cinematography. Master of Arts thesis, Dublin City University.

Sheehan, Helena (1988) Images of the 60s in the 80s: memories of social unrest in US tv series. In: International Television Studies Conference, 20-22 July 1988, Institute of Education, London, UK.