Article

Henry, Seán ORCID: 0000-0002-8365-6632, Bryan, Audrey ORCID: 0000-0002-0888-9276 and Neary, Aoife ORCID: 0000-0003-1196-6487 (2023) Up Schitt’s Creek? Comedy as a slantwise pedagogical encounter with queerness. Teachers College Record, 125 (10). ISSN 0161-4681

O'Boyle, Neil ORCID: 0000-0002-3865-2579 (2020) Place, Peripherality, and Play: Reflections on Film Tourism in Ireland. Journal of Popular Culture, 52 (6). pp. 1355-1371. ISSN 1540-5931

Brereton, Pat ORCID: 0000-0003-1681-7202 (2019) Filming imagined and real catastrophe: environmental trauma and natural disasters. Journal of Science and Popular Culture, 2 (2). pp. 157-170. ISSN 2059-9072

Murphy, Paula ORCID: 0000-0002-9715-2216 (2019) The Taste of a Name. Short Film Studies, 10 (1). pp. 83-86. ISSN 2042-7824

Murphy, Paula ORCID: 0000-0002-9715-2216 (2019) Through the Looking Glass: Bodies of Data in Alex Garland's Ex Machina. Film International, 17 (3). pp. 79-85. ISSN 2040-3801

Murphy, Paula (2018) "You feel real to me, Samantha": the matter of technology in Spike Jonze's Her. Technoculture: An Online Journal of Technology in Society, 7 . ISSN ISSN 1938-0526

Cooke, Dervila (2013) Tradition, Modernity, and the Enmeshing of Home and Away: The Shipping News and Proulx’s 1990s Newfoundland. Studies in Canadian Literature, 38 (1). pp. 190-209. ISSN 0380-6995

Cooke, Dervila (2012) Le "climat Modiano" dans Des gens qui passent : Entretien avec Alain Nahum. French Cultural Studies, 23 (4). pp. 304-308. ISSN 1740-2352

Mohamad Ali, Nazlena and Smeaton, Alan F. ORCID: 0000-0003-1028-8389 (2011) Exploring the usage of a video application tool: Experiences in film studies. Journal of Informatics in Education, 10 (2). pp. 163-181. ISSN 1648-5831

Brereton, Pat ORCID: 0000-0003-1681-7202 (2006) Nature tourism and Irish film. Irish Studies Review, 14 (4). pp. 407-420. ISSN 1469-9303

Thesis

Rana, Aashima (2024) Towards a folkloric commonality: adapting lores of Assam and the American South. PhD thesis, Dublin City University.

Doyle, Phillip ORCID: 0000-0002-1564-6686 (2023) The grammar of immersion: a social semiotic study of nonfiction cinematic virtual reality. PhD thesis, Dublin City University.

Alardawi, Merfat ORCID: 0000-0003-3787-7327 (2023) The impact of watching Turkish drama on Saudi women's attitudes and perception patterns: an audience study. PhD thesis, Dublin City University.

Bollas, Angelos ORCID: 0000-0002-2594-8215 (2022) Queering narratives of HIV/AIDS suffering: cultural representations at the dawn of the 2020s. PhD thesis, Dublin City University.

Buitendijk, Tomas (2021) Whales and windfarms: towards a poetics of the sea in the twenty-first century. PhD thesis, Dublin City University.

Moran, John (2020) Sex in the multiplex: a qualitative and quantitative analysis of sex in the 250 most popular films on domestic release, 2011-2015. PhD thesis, Dublin City University.

O'Brien, Maria (2020) A political economy of tax expenditures for the audiovisual industries in Ireland: a cultural policy research perspective on section 481. PhD thesis, Dublin City University.

Monaghan, Michael (2020) On murder reconsidered as one of the fine arts: dismantling the binary of gendered gazes in literary and filmic representations of violence. PhD thesis, Dublin City University.

Kenny, Colm (2017) Venture in/between ethics, education and literary media: making cases for dialogic communities of ethical enquiry. PhD thesis, Dublin City University.

Murphy, Denis (2017) A labour history of Irish film and television drama production 1958 - 2016. PhD thesis, Dublin City University.

Wallace, Mark (2016) The unspeakable Victorian: Thomas Carlyle, ideology and adaptation. PhD thesis, Dublin City University.

Lewis, Ingrid (2015) The representation of women in European holocaust films: perpetrators, victims and resisters. PhD thesis, Dublin City University.

Culloty, Eileen ORCID: 0000-0001-7960-8462 (2014) Embedded online: Iraq war documentaries in the online public sphere. PhD thesis, Dublin City University.

Canning, Laura (2014) Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005. PhD thesis, Dublin City University.

Furze, Robert (2011) The visceral screen: Between the cinemas of John Cassavetes and David Cronenberg, a Barthesian perspective. PhD thesis, Dublin City University.

Mohamad Ali, Nazlena (2009) Design, deployment and assessment of a movie archive system in a film studies context. PhD thesis, Dublin City University.

Uwah, Innocent Ebere (2009) From rituals to films: a case study of the visual rhetoric of Igbo culture in Nolywood films. PhD thesis, Dublin City University.

Rothwell, Sandra (2007) Detection and analysis of emotional highlights in film. PhD thesis, Dublin City University.

O'Connell, Díóg (2005) Narrative strategies in contemporary Irish cinema: 1993-2003. PhD thesis, Dublin City University.

Ryan, Orla G. (2005) Overlapping montage: a comparative study of mainstream film and moving-image installations. PhD thesis, Dublin City University.

Fennell, Nicholas (2005) The alternative within the mainstream: a critical analysis of some recent Irish films. Master of Arts thesis, Dublin City University.

Connolly, Maeve (2003) An archaeology of Irish cinema: Ireland's subaltern, migrant and feminist film cultures (1973-87). PhD thesis, Dublin City University.

Condon, Denis (2000) Consensus, withdrawal, opposition: images of youth and generational conflictin feature films of the GDR. Master of Arts thesis, Dublin City University.

Dalton, Joanne (1998) Terminology standardisation: success or failure?: a study of the terminology of cinematography. Master of Arts thesis, Dublin City University.

Conference or Workshop Item

Mohamad Ali, Nazlena and Smeaton, Alan F. ORCID: 0000-0003-1028-8389 (2009) Are visual informatics actually useful in practice: a study in a film studies context. In: IVIC 2009 - The 1st International Visual Informatics Conference, 11-13 Nov 2009, Kuala Lumpar, Malaysia. ISBN 978-3-642-05035-0

Sheehan, Helena (1988) Images of the 60s in the 80s: memories of social unrest in US tv series. In: International Television Studies Conference, 20-22 July 1988, Institute of Education, London, UK.

Book Section

O'Driscoll, Aileen ORCID: 0000-0001-7110-1149, Healion, Karla, O'Meara, Jennifer and Stone, Katie (2020) Activism through Celebration: The role of the Dublin Feminist Film Festival in supporting women in Irish film, 2014–17. In: Women in the Irish Film Industry: Stories and storytellers. Cork University Press, pp. 153-168. ISBN 9781782053767

Fahy, Declan ORCID: 0000-0003-2216-4252 (2013) The chemist as anti-hero: Walter White and Sherlock Holmes as case studies. In: Nelson, Donna J., Grazier, Kevin R., Paglia, Jaime and Perkowitz, Sidney, (eds.) Hollywood Chemistry: When Science Met Entertainment. ACS Symposium Series . The American Chemical Society, Washington, D.C, pp. 175-188. ISBN 978-0841228245

Duffy, Brian (2010) Cosmopolitanism and patriotism in Richard Ford’s ‘Occidentals’. In: O'Donovan, Patrick and Rascaroli, Laura, (eds.) The cause of cosmopolitanism. Cultural Identity Studies, 21 . Peter Lang, Oxford, UK, pp. 71-88. ISBN 978-3-0343-0139-8

O'Connor, Barbara (2009) Colleens and comely maidens: representing and performing Irish femininity in the nineteenth and twentieth centuries. In: Flannery, Eóin and Griffin, Michael, (eds.) Ireland in focus: film, photography, and popular culture. Syracuse University Press. ISBN 978-0-8156-3203-0

Ging, Debbie (2008) Goldfish memories? On seeing and hearing marginalised identities in contemporary Irish cinema. In: Faragó, Borbála and Sullivan, Moynagh, (eds.) Facing the other: interdisciplinary studies on race, gender and social justice in Ireland. Cambridge Scholars Publishing, pp. 182-203. ISBN 9781847185976

Ging, Debbie (2004) The politics of sound and image: Eisenstein, artifice and acoustic montage in contemporary feminist cinema. In: Antoine-Dunne, Jean and Quigley, Paula, (eds.) The montage principle: Eisenstein in new cultural and critical contexts. Rodopi, pp. 67-95. ISBN 978-90-420-0898-4