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Crisis and creative destruction: new modes of appropriation in the twenty-first century music industry

Rogers, Jim orcid logoORCID: 0000-0001-9327-1245 and Preston, Paschal (2016) Crisis and creative destruction: new modes of appropriation in the twenty-first century music industry. In: Business Innovation and Disruption in the Music Industry. Edward Elgar, Cheltenham, pp. 53-72. ISBN 9781783478156

Abstract
A recurring and pervasive narrative on the topic of innovation in media industries privileges the part played by technology in transforming the roles and interests of actors across the spectrum of media sectors, and their established practices and modes of operation. This is not least so in the case of the music industry that has (periodically across many decades) witnessed the evolution of a variety of technological innovations that have been widely regarded as delivering fundamental change to the production, distribution or consumption of music.
Metadata
Item Type:Book Section
Refereed:Yes
Subjects:Humanities > Sound recordings
Humanities > Culture
Social Sciences > Communication
DCU Faculties and Centres:DCU Faculties and Schools > Faculty of Humanities and Social Science
DCU Faculties and Schools > Faculty of Humanities and Social Science > School of Communications
Publisher:Edward Elgar
Official URL:https://china.elgaronline.com/edcollbook/edcoll/97...
Copyright Information:Authors
ID Code:31098
Deposited On:03 Jun 2025 10:19 by Vidatum Academic . Last Modified 03 Jun 2025 10:19
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