Article

O’Flynn, John (2025) From Celtic Rock Heyday to “Extended Family”: Changing Legacies and Identities for Horslips and Their Fans. Rock Music Studies . ISSN 1940-1167

Rogers, Jim ORCID: 0000-0001-9327-1245 and Spavriero, Sergio (2011) Same tune, different words: The creative destruction of the music. Observatorio, 5 (4). pp. 1-30. ISSN 0874-8810

Preston, Paschal and Rogers, Jim ORCID: 0000-0001-9327-1245 (2011) Social networks, legal innovations and the “new” music industry. Info, 13 . pp. 8-19. ISSN 14636697

Thesis

Higgins Murphy, Yvonne (2026) Choral Conductors’ Understanding of the Relationship between Language Reading and Music Reading in the Context of Children’s Choirs. PhD thesis, Dublin City University.

Boushel, Kevin ORCID: 0000-0001-6134-9108 (2025) Towards the New Transcendental: Stylistic Trends in Contemporary American Choral Music with a Case Study on Eric Whitacre. PhD thesis, Dublin City University.

Della Vecchia, Martin Mario (2025) A portfolio of original compositions with commentary. PhD thesis, Dublin City University.

Adams, Linda (2024) Exploring musical diversity: The role of stylistic context in harmonic expectation. PhD thesis, Dublin City University.

Green, Anne-Marie (2023) Wind Farms: an exploration of attitudes, concerns and experiences of local activist residents using documentary and podcast formats. Master of Arts thesis, Dublin City University.

Brady, Sheelagh (2022) Shared cues, different violence organisations: comparing visual recruitment strategies of extremists, gangs, PMCs/mercenaries, and militaries. PhD thesis, Dublin City University.

O'Dea, Arthur (2020) Older then, younger now: Bob Dylan's late style. PhD thesis, Dublin City University.

Book Section

Rogers, Jim ORCID: 0000-0001-9327-1245 and Preston, Paschal (2016) Crisis and creative destruction: new modes of appropriation in the twenty-first century music industry. In: Business Innovation and Disruption in the Music Industry. Edward Elgar, Cheltenham, pp. 53-72. ISBN 9781783478156

Rogers, Jim ORCID: 0000-0001-9327-1245 (2014) The More Things Change, The More They Stay the Same: Where power lies in the twenty-first century music industry. In: Findlay, Rosie and Sarafia, Victor, (eds.) The state of the music industry/ L’etat de l’industrie musicale. Presses de l’universite de Toulouse, Toulouse, pp. 33-50. ISBN 9782361700874