This chapter explores poetry by Irish LGBTQ+ writers in the twenty-first century, beginning with an overview of the socio-cultural background, followed by case studies of three poets, Stephen Mooney, Sarah Clancy and Padraig Regan, and concluding with some reflections on directions for future research. I examine Stephen Mooney’s DCLP (2008) as a document of the queer gaze in the wake of UK anti-terrorist legislation of the early 2000s, and its submerged discourse of LGBTQ+ Irish migration to London. Sarah Clancy’s collections of the 2010s are considered as a response to the financial crisis, 2007-8, in which queerness modifies the economic figurations of poetry under a regime of austerity. Conceptions of form and beauty in post-Romantic artistic theory are the starting-point for a discussion of Padraig Regan’s queer renovation of the Irish lyric in Some Integrity (2022). Finally, I suggest that, as these become increasingly visible, attention be directed at intersections between queerness and other minoritised identities in Irish poetry.