A

Adams, Linda (2024) Exploring musical diversity: The role of stylistic context in harmonic expectation. PhD thesis, Dublin City University.

B

Brady, Sheelagh (2022) Shared cues, different violence organisations: comparing visual recruitment strategies of extremists, gangs, PMCs/mercenaries, and militaries. PhD thesis, Dublin City University.

D

Della Vecchia, Martin Mario (2025) A portfolio of original compositions with commentary. PhD thesis, Dublin City University.

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Green, Anne-Marie (2023) Wind Farms: an exploration of attitudes, concerns and experiences of local activist residents using documentary and podcast formats. Master of Arts thesis, Dublin City University.

O

O’Flynn, John (2025) From Celtic Rock Heyday to “Extended Family”: Changing Legacies and Identities for Horslips and Their Fans. Rock Music Studies . ISSN 1940-1167

O'Dea, Arthur (2020) Older then, younger now: Bob Dylan's late style. PhD thesis, Dublin City University.

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Preston, Paschal and Rogers, Jim ORCID: 0000-0001-9327-1245 (2011) Social networks, legal innovations and the “new” music industry. Info, 13 . pp. 8-19. ISSN 14636697

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Rogers, Jim ORCID: 0000-0001-9327-1245 and Preston, Paschal (2016) Crisis and creative destruction: new modes of appropriation in the twenty-first century music industry. In: Business Innovation and Disruption in the Music Industry. Edward Elgar, Cheltenham, pp. 53-72. ISBN 9781783478156

Rogers, Jim ORCID: 0000-0001-9327-1245 (2014) The More Things Change, The More They Stay the Same: Where power lies in the twenty-first century music industry. In: Findlay, Rosie and Sarafia, Victor, (eds.) The state of the music industry/ L’etat de l’industrie musicale. Presses de l’universite de Toulouse, Toulouse, pp. 33-50. ISBN 9782361700874

Rogers, Jim ORCID: 0000-0001-9327-1245 and Spavriero, Sergio (2011) Same tune, different words: The creative destruction of the music. Observatorio, 5 (4). pp. 1-30. ISSN 0874-8810