O’Flynn, John (2025) From Celtic Rock Heyday to “Extended Family”: Changing Legacies and Identities for Horslips and Their Fans. Rock Music Studies . ISSN 1940-1167
Della Vecchia, Martin Mario (2025) A portfolio of original compositions with commentary. PhD thesis, Dublin City University.
Green, Anne-Marie (2023) Wind Farms: an exploration of attitudes, concerns and experiences of local activist residents using documentary and podcast formats. Master of Arts thesis, Dublin City University.
Brady, Sheelagh (2022) Shared cues, different violence organisations: comparing visual recruitment strategies of extremists, gangs, PMCs/mercenaries, and militaries. PhD thesis, Dublin City University.
O'Dea, Arthur (2020) Older then, younger now: Bob Dylan's late style. PhD thesis, Dublin City University.
Rogers, Jim ORCID: 0000-0001-9327-1245 and Preston, Paschal
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Crisis and creative destruction: new modes of appropriation in the
twenty-first century music industry.
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Business Innovation and Disruption in the Music Industry.
Edward Elgar, Cheltenham, pp. 53-72.
ISBN 9781783478156
Rogers, Jim ORCID: 0000-0001-9327-1245
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The More Things Change, The More They Stay the Same: Where power lies in the twenty-first century music industry.
In: Findlay, Rosie and Sarafia, Victor, (eds.)
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ISBN 9782361700874
Rogers, Jim ORCID: 0000-0001-9327-1245 and Spavriero, Sergio
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Same tune, different words: The creative destruction of the music.
Observatorio, 5
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pp. 1-30.
ISSN 0874-8810
Preston, Paschal and Rogers, Jim ORCID: 0000-0001-9327-1245
(2011)
Social networks, legal innovations and the “new” music industry.
Info, 13
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pp. 8-19.
ISSN 14636697